American Horror Story

AHS Season 6 Episode 2

Well, “My Roanoke Nightmare” continues to entertain…and provoke and remain Swiss cheesy in terms of logic.

It starts off kind of where last week’s show left off, but not exactly.    Last week’s show ended with Shelby is running amuck in the woods in pursuit of Kathy Bates’ character who literally bounced off Shel’s car when she was trying to escape the house.     She gets lost and is confronted by a man with the top part of his head missing;  he sees her and falls to her knees.  The end.

This weeks show starts of with her still lost in the woods but she walks upon a crucifixion or purification  scene in which.  The scalped man is tied and nailed, chest first to  a much larger version of one of those Blair Witch looking twig figurines we we were introduced to last week.      Kathy Bates’ character is the head of this puritanical coven, is it?…. and she has has Igor hunchback counterpart which looked something like Lady Gaga in bloody make up.    And whoever or whatever this person represents she’s egging on Kathy Bates’ urging of these angry, torch welding phantasmas.   He died something illegal with a pig  and the villagers slap on pig’s head (a fresh kill by the looks of it) and  then he’s not crucified, rather large figurine is turned into a spit and the man is burned alive.

Shelby screams, allerting Kathy Bates and company to her presence, a chase ensues and Shelby runs into the driveway and almost into a car, driven by her sister in law, Lee.

Shelby is rushed to the hospital and checked out.  She’s okay. Matt comes to see her; tells her that the cops were called…once again…searched the woods and found nothing.     They are becoming a total pain in the ass for this  local jurisdiction.   Anyway, Shelby still thinks its the local yokel inbreds who placed a low bid on the house during episode one.

Lee decides she wants to see her daughter, Flora.  So the eight year old ones for a weekend visit and of course immediately, befriends a ghost bonnet wearing ghost child named  Priscilla Flora who  during a game of hide and seek at the end of her visit, tells her that she’ll kill everyone in the house, and keep Flora alive until the very ends.  This enrages Isaac Hayes who  has come back from the grave to play Lee’s ex-husband who wants total custody of the child, due to Lees/ boozing fired cop way.  He takes Flora off in a heart wrenching good bye scene….child screaming for her mother, mother screaming for her child.    Then Lee falls off the wagon and drinks all night long.  Matt and Shelby awaken  to the all too familiar sound of glass breaking.   It’s Flora in the dining room just coming off her bender she’s drunkenly broken a bowl.    Everyone looks up and there are knives thrown into the ceiling.  Matt and Shelby assume Lee did that, too, but she denied it.  Matt takes her upstairs to sleep off the rest of it.   She’s awaked a few hours later the image of two 60’s looking nurses staring at her in bed.    She shakes her head.   They’re gone.  Then she hears a noise….runs towards it anyone scared shitless is inclined to do and she sees a bunch of blood pig tails nailed into the wall.  She shakes her head.   They’re gone.  She looks into a mirror and sees the man with the pig head on coming towards  her.  Again, she shakes her head and  he’s gone and apparently Lee is gone too because we don’t see her for a while.    More on Lee in a sec.

Its the middle of the night and Matt and Shelby are sleeping.   we hear a phone ringing.     Loudly.  Shelby sleeps through it, but Matt but go down three flights of stares to answer a desk phone that was outdated in 1985.   On the other end is a woman moaning.  He looks down and sees the phone isn’t even connected to the wall outlet.   Then, the moans start coming from the kitchen.  Matt turns around and sees a residual haunting of when the house was a senior care facility decade earlier.     He sees  are the same two nurses that Lee saw by her bed, that Shelby saw cross the hall in front of her that, that went unmentioned in the last last episode.   They are oblivious to his presence and they stand around a bed with an elderly woman in it, refusing to take her medicine.   One nurse accuses the patient of having a sassy nought so she pulls out a handgun and shoots granny right between the eyes.  This elates the sisters who revel in the fact that the patient’s name was Margaret, so they gleefully spray paint a large M on the wall.

The cops are called.    Nothing is there.  The ugly wall paper chosen to refurbish the house is undisturbed.   Matt, says the officer, had to have been having a vivid dream.

Then the next night, they are awakened once again to the sound of that damn pig.   Shelby and Matt grab his and hers flashlights and head into the wooded acreage that came with the house, in search of a pig.   They get separated and a pig comes out of no where and runs by Matt’s feet and he says nothing.  They meet up once again to find the greasy, dripping, gross remnants of the grilled man….but no Kathy Bates lead villagers.  The cops were called once again , but this time, the cops see the remnants, but they also think its the handiwork of Papa Hayseed, Ishmael Polk and his odd progeny.

Then one afternoon, Matt and Shelby are looking outside and see a pilgrim looking woman standing there.  They of course, run our to see who o what she really is and there’s nothing there, but she was standing on the entrance to a fruit cellar.    What do they do?   Run down the step ladder and into the old cellar, which is oddly free of cobwebs, spiders and or critters.  All they find is a video camera.   They take it to their VCR and play it.  Its an extreme close up of  bearded Denis LO’Hare  portraying a academic and author, namedDr. Elias Cunningham, who lived in the house in order to write a Charles Mansonesque murder mystery, based on a pair of pure sisters who were homicidal sociopaths.  They took pleasure in killing off old people that had become a burden to their families.


Dr. Cunningham explains in the tape that the women only took boarders whose first names could spell out one word M-U-R-D-E-R.    But they hadn’t gotten to the R yet.  It was just MURDE.   And apparently, the five letters couldn’t be covered top by paint, so we see extras placing ugly green floral wall paper over it. The professor on the tape says there are demonic things happening in the house and that he’d been in the fruit cellar for days and didn’t want to step foot back in the house, but somehow, he finds the courage and takes his camera with him.     He walks through the darkened youse, demanding that whatever is in the house show itself, well, it does…in a big way.

Think “The Ring”.   I know….I don’t get it either.

Matt and Shelby freak and call the bank wanting their money back.     A representative comes to meet them .  They accuse him of nondisclosure, regarding specific aspects of the house’s past.  He claims he’s no real estate agent and can’t help them; the house is theirs until they choose to sell.

So, they’re stuck with the house and the pig noises and Kathy Bates who only roasts by night.

Oh yeah and Lee kidnaps her daughter and brings her back to the house.   Really?

There are a couple of other things I should add.    A bloodied meat clever is left in their front door and yet another window is broken.  It takes down a vase filled with flowers in  and mixed with all the flora is a small dirty bonnet….described by the human Flora, who’s new imaginary friend Priscilla said she’d make for her,  IF she helped Priscilla stop.

Stop what, we ask.

Flora  explains “all the blood”.

Later, we learn that Lee has kidnaped Flora and brought her back to the house and the episodes ends with Flora running into the forrest,  at the behest of a ghostly John Smith looking mother fella.      Matt, Lee and Shelby run after her and they find her yellow sweater tied atop a newly de-branched tree….a very tall tree….with no sight of young Flora anywhere.

This episode?  Intriguing to make me look forward to episode 3 next week.

Now, there are still major plot holes, and scary things that happen this couple won’t tell people., much less each other.   I’m finding if I watch this show as a civilian and throw logic out the window one of the few windows unbroken in the house. And don’t I wish I were the window and glass purveyor in that vicinity.    And lastly, we do know that they, whoever they are, are looking to kill someone who’s name begins with an R to complete the word “murder” which lies behind wall paper that’s the easiest to remove in the history of mankind.

As for Lady Gaga character as the Igor character?    Maybe I’m right.   Gaga’s name was featured as a guest star in the closing credits.    Now, I don’t know if that means that she’s there as part of the general cast or if it was specific to this episode, but it was there.






The Cecil

This downtown Los Angeles hotel has a storied past for all the wrong reasons.

Two infamous murderers stayed there during the height of their crime sprees.    Additionally, there have several suicides, three women jumped out of upper floor windows, not to mention room burglaries, hallway muggings and rapes.    Let me put it this way, the Cecil was an option when Motel Six was deemed too posh.

The hotel was recently remodeled in an attempt to clean up its act.    I think the name  has been changed as well.    But can a new sign, a fresh coat of paint and some new appointments from IKEA make a difference?

If you’re the writers and producers of one of TV’s newest cult shows, the weirder the  better.   Theyre using the hotel ias a backdrop for the fifth season of FX’s oddly addicting  American Horror Story.   The storyline this go round is called Hotel and based on strange events that have occurred at the Cecil over the years.    So, watch this video that’ll explain everything and including the bazaar Lisa Lim  case.    Besides, my thumb hurts.

Yeah, the Cecil of yesterday was a scary and strange  place.   Don’t know much about its recent facelift, but I know that back in the day, it had a  steady occupancy rate of seedy and transient guests.   Perhaps, people stayed there because of was the low-cost of lodging or perhaps they came for the lure of its dangerous reputation or risking your life by showering or drinking anything from the hotel’s water supply (the thought of that is absolutely repulsive)  To hell with possible ghosts and psychic crime scene imprints in every room, I doubt I could  stay there because of the water, even if the system has been replaced ( which I I’m sure it has) and then scrubbed down three times by Laotian spinsters awash in Clorox.


AHS has a repertory cast each season save for this one.   Leading actress Jessica Lange is taking this year off.   Evan Peters, Denis O’Hare and Sarah Paulson return for their fifth series.   Angela  Basset and Kathy Bates will be there for their third stints. You’ll also  see Chloë Savigny, Mare Winningham and  Matt Bomer, whose name sounds like that of second year NFL quarterback.

But wait….there’s more.   I’ve left at the name of the newest character.


See the long-haired blond?    It’s not creepy old Greg Allman.    it’s not Anne Coulter or Annie Lebowitz with make up.    It’s Lady Gaga, who appears as the  wealthy, elusive hotel owner.

Poke her face.


I’m trying to have hope for season five.    I’ve been disappointed since the first season and I’ve felt the series has been difficult for me to make invest in motionally.    But I’ll give it a go and endeavor to write one of my skewered reviews after the show airs every Wednesday night, starting in early October.

BUT……in the meantime, the same writers and producers are  premiering their new show, Scream Queens on FOX this coming Tuesday evening.   If that proves to be as campy and quirky as I hope it’ll be, then old Punksatawney Laurie will come out of her den of inequity will blog for six more weeks.

American Horror Story /Coven: Episode Four

American-Horror-Story-CovenWe begin with scene of a young African American male child, barely in his teens riding a bike on a nice, residential street in New Orleans.


This was New Orleans in 1961 and based on the racial issues that existed back the , the reasons why this was a scene destined to end horribly are as clear as black is black and white is white. He’s pursued by a truck full of white men, obviously racists, who are hell bent on keeping this lad from riding his bike in what appears to be a white, middle class neighborhood. A couple of the fellows look like inbred rednecks, the other is a Jack Ruby Fedora wearing clone. The teen takes an unfamiliar sidewalk In an attempt to lose Whitey, but finds himself trapped by a dead end.

The next scene is in black and white and it’s a large tree in some field. Anyone with any knowledge of America’s more tragic history knows as sure as a Jim Crow flies, this is a lynching. The large noose confirms it.

His mother runs to the body of her boy and in the crowd stands a very angry Marie Laveaud. Apparently, the child’s mom works for her at her Ninth ward hair salon. This lynching has just been made even more personal.

An angry voodoo queen is a dangerous voodoo queen. Marie goes to the back of her shop, and starts drawing on the floor (we now know that means something bad is about go down) she starts convicting a potion, then sets it on fire in this lovely Horchow urn. She slices and dices up a few snakes, chants as drummers drum and the next thing we know, corpses reanimate from their graves and respond to her revenge spell. They find the lynch mob and kill them all in gruesome ways. And the best part about these AHS zombies??? They’re armed. In fact, they rose from their graves with weapons AND murderous intent. There are zombie farmers with pitchforks, confederate soldiers with muskets, an unscrupulous accountant with a Ponzi scheme.

Well apparently, this starts a ten year war between voodoo witches and the members of the coven, who are all, in some way, direct linear descendants of the original witches who lived in Salem circa 1692.

Then, we go back to last week when Fiona murdered Madison, but this time, we sit unfold from Spaulding, the mute butler, who minutes earlier dropped the needle on his Victrola, so he and his massive doll collection could enjoy tea with background music. He hears a noise, heads downstairs and witnesses Fiona turning Madison into a human Pez dispenser. As he roles up the young witch’s body in a area rug, Fiona hears a noise and goes into the backyard to investigate. It is a very injured Queenie lying in the grass with a bloody, gasping stomach wound. I’m thinking she was gored in the gut by the rutting Minotaur she tried to seduce last week. While still lucid, Queenie rats out her attacker as his silhouette rises out of the ground with ample backlighting and Fiona seems to know what it is and what to do with it without even looking in its direction. She knows it’s Sebastien, Delphine Lalaurie’s slave/houseboy who she killed for bumping stinkies with her horny daughter two centuries ago and Sebastian just happened to be Laveaud’s boyfriend. The Voodoo Witch sent him to the school where Delphine has been staying, working as a maid, in order to exact revenge.

raggedy ann and andyThen there’s a knock on the door and in a hat tip to bewitched, in walks a odd looking trio that comprise The Witches’ Council. They only assemble when there’s trouble brewing in the coven. The council is lead by Mert, played by whacky fashionFrancesConroy_Sml designer, Betsey Johnson. The hair is a chili powder red, rarely seen outside the Raggedy family. It’s actually the actress known as Francis whose last name is something Irish sounding, who portrayed Moira the Older in season one and the black winged Angel of Death last year.

We learn that the council isn’t happy with Fiona in her role as Witch Supreme. She’s a drunk, flakey, vain, self centered and lousy at her job. They believe she had something to so with Madison’s disappearance, just as she did with the missing Supreme she replaced (nice way of saying murdered) in 1971.velma

As it turns out, I believe I am to assume that based on camera dissolves between past and present, Mert and Fiona were classmates at Miss Robicheaux’s school back in 1971. Back then, Mert was mousy, bookish and homely, not unlike Velma, from “Scooby Doo”. She and Fiona don’t like each other and that’s made crystal clear when it’s announced that the old Supreme is missing and presumed dead, Fiona will assume the throne, providing she can pass seven special tests, based on each power a Supreme is supposed to have. At dinner with a menu no doubt consisting of braised bat wings, tangy toad tandoori and eye of newt, young Mert tells a fellow witch seated to her right that she hates the way Spaulding dotes on Fiona and feels sure he knows that Fiona is involved in some way with the former Supreme’s disappearance. So after dinner Mert goes to her room and recites Latin on coins and ultimately, places a spell on Spaulding’s tongue, rendering it incapable of uttering a lie. This will help Mert in her pursuit of the truth since the next morning, the butler is supposed to testify in front of the Witches’ Council investigating the formers Supreme’s whereabouts.

Spaulding overhears this and later that night, summons Fiona to the bathroom where he tells her, his last words will be that he loves her. He grabs a straight razor and cuts out his tongue. There, problem solved. A tongue can’t lie when it ‘s no longer intact. Now we know why he never speaks and why he seems so mindlessly devoted to Fiona.

We also find out what Fiona did with the Minotaur. She cut off it’s head and sends it, a la Don Corleone, to Marie Laveaud. She opens the box, and screams , especially when the the bloody, severed bovine head winks at her. This gets her crazy mad and once again, she goes to the back room and starts drawing on the floor, chanting, slicing snakes and in the end, sends a well- armed militia of zombies to stand and sway ominously in the front yard outside Miss Robicheaux’s school holding everyone inside captive.

At least I think the blinking cow head was the Minotaur….or it was Elsie, perhaps????    Not sure.

Episode four ends back in Spaulding’s room, an audience of dolls witness him in drag, wearing an antique peignoir and night cap. He goes to his closet and pulls out a very old wedding dress that Vera Wang would HATE, and takes it over to the corner where Madison, in a very advanced state of rigor mortis, is seated in a chair, holding a team up.

What comes next? I’ve nary a clue.


1) Cordelia’s husband is out of town on business. He picks up a chick who he meets on Craigslist, they have sex, he howls upon climax and then in the middle of a post coital of vending machine soup, he shoots her in the head with a very shiny gun. He’d did tell her that he went as a monster last

ahs spaulding

Halloween. Perhaps he’s reprising that role this year. Not all monsters have gills, tentacles, sharp fangs and eight clawed hands. Not sure what any of that was all about.

2) Spaulding was in the front yard decorating for Halloween. He was assembling what looked like an homage to the Burning Man bonfire mascot. He hugged it after adding the arms, and well, call me a romantic, but I thought that was how he took care of either Madison’s body or that of the Minotaur. Well, in the end we found out that it wan’t Madison under all that burlap.

3) After getting pissed drunk on Maker’s Mark at a local bar with mummy, Cordelia excuses herself and goes into the bathroom to yak. As she’s washing her hands, a very short Druid in the next stall exists with a glass in hand but it contains acid, which is thrown in Cordelia’s face. Huh?????? A voodoo warning of disfigurement????

3) But before the acid attack turns her face into a Dali painting, Cordelia tells her mother and the Witches’ Council that Madison might be missing, but it’s not because she’s the next Witch Supreme. Apparently, the new head witch has to be in perfect health which Madison ain’t. Madison had a heart murmur she mentioned to no one. So, who is the next Supreme? Don’t count out Queenie. Remember when she was in bed, bloody and gored and Cordelia lost her pulse? Fiona breathed life back into her and felt very weak afterwords. The big deal about the transition between Supremes is that the old one feels her power weakening. Keep an eye on Queenie in upcoming episodes. Nan, (Addie from season one), as well. Cordelia could be the right full heir to the throne. Spaulding too.

4)  Zooey goes back to Incest Manor and finds Kyle the Human Quilt still bloody and zombie eyed from kill his mother lover last week, so he’s banging his head against the toilet.    She decides that’s a fine time to go in the kitchen and make him tuna salad.   Just as she’s adding enough Hellman’s to make it nummy, she looks up and spies a big ol’ box of rat poison.    She will kill the very thing she helped bewitch and stitch together.   When she brings him a bowl of the tainted tuna, he’s gone.  She runs to the front porch and sees nothing, just a bunch of people   in costumes.   It is Halloween, after all.    Kyle will just fit in with everybody else.

5) And lastly, why were the members of the Coven dressed in various shades of black and white throughout the entire episode? Was this to stress the age old concept of good (white) versus evil (black) and that each member can at any given time, possess their share of both traits???

See ya next Wednesday for episode five. As previews indicate, there’s a lot at stake for one witch….literally. She’s tied to one and Cordelia looks poised to light it, with a cigarette. Please oh please, let the ciggie be a Salem.



Let me describe in my own words, what I think of season three of the AHS saga so far:    style over substance.

I can take that one step further by admitting I fell asleep twenty minutes into this past Wednesday episode.

While still better than last season’s bouillabaisse of silly badness (Nazis, aliens, zombies, serial killers, sadistic nuns, Anne Frank, homosexual rehab sessions, demonic possession,  microcephaly, evil Santas, caning,  murder, suicides, asylums and more gore than any politician named Al) I still find it in dire need of ……in need of….well, I’m not quite sure.

But with just two episodes in, I’ll give it till Halloween to win me over.  I am nothing if not fair.

It’s got a great premise:   it’s all about black magic and witches in the witchiest city of all–New Orleans.   And acting wise, its got major star power.  Jessica Lange is back, this time as the Witch Supreme.   Sarah Paulsen returns (she was Lana the Lesbian Reporter last year.   Taiisa Farmiga is back.  She was Violet of the Bad Attitude in season I.  This go round she’s a witch, with a killer vagina.

Literally.    More on that in a bit.

Evan Peters returns.  He played Tate in season one and an accused wife killer last season.  In reality, wifey had been inducted by aliens in episode I and returned later just in time for the season ended. I don’t know.  Season II was largely forgettable.    This time, Evan plays a Tulane frat rat named Kyle, with a fairly decent portrayal of an Orleanian diphthong,  BUT….he dies in a horrific bus accident in the first episode.     But like Frankenstein’s monster, he’s returning for more action.    As we learned in episode II, this was a horrible, horrible accident.    He was terribly dismembered, as was the rest of the occupants.     They were in a rented party bus hightailing it away from a mixer at the Frat House after gang banging Madison, an actress witch with telekinetic powers (played by Emma Roberts, daughter of Eric and niece to Aunt Julia).  When  revived from the Roofie  she’d been given, Madison ran  out to the street and willed the bus to crash, killing all the rapists, including Kyle who never touched  her.    In fact,  he was the only who attempted to stop the assault and was dragged on board the bus prior to the escape to keep him from ratting out his randy brothers.

Taiisa Farmiga’s character Zoe, fell for Kyle earlier at the party.  Because Madison killed her boyfriend in the crash,  she promises to do Zoe a solid, so they  break into  the morgue and found the section where the dead frat boys were kept on ice and realized that the victims had all been terribly dismembered in the accident.   So, like an old fashion quilting party, they decide to create the perfect boyfriend, using the best parts of each victim. Kyle’s head, someone’s bitching torso, another guy’s arms, legs, hands, etc. and  and other parts I’m sure and they sew all the bits and pieces together, while performing  an ‘incant’ over him and voila!    Kyle is slice once again—-Uncoordinated and mono syllabic as hell, but alive.

Mary Shelley would be proud.

And Addie is back.    Jamie Brewer, the Texas actress with Down Syndrome is back this season playing Nan, a witch with incredibly well honed psychic powers.  Hats  off to the writers and producers for allowing this actress to just portray your basic witch with all knowing abilities. No mention of her “handicap” in terms of this role.  Nicely played, Hollwyood.   Dennis O’hare was Burned Guy is season one.     He’s back this year as Spalding,  the school’s mute butler/man servant/factotum with long, stringy  Edgar Winter-ish hair.

Lilly Rabe returns.    She was Mrs. Montgomery is season one, the possessed nun last year and this go round, she’s a witch with the powers of necromancy.    She brings the dead back to life.   A re-animator, if you will.    Lilly has always been one of my AHS stable of actors.     She’s spunky.    Plus, her mother was none other than the late,  great  Jill Clayburgh.    A talented

actress who’s star rose and fell in the late seventies, early 80’s.    Back then she was most ubiquitous.  In every movie, or so it seemed, paired up on theater marquees with Burt Reynolds and other A-listers of the era.    Her stock fell in the early 90’s.   Yes, she had the gall to age and well, Hollywood frowns on natural body processes. Her last film was “Bridesmaids” in which she played Kristin Wiig’s mother.    She died from a lengthy bout with cancer shortly after the film wrapped.

Kathy Bates joins the cast this year who plays New Orleans socialite Madame LaLaurie (love the last name, by the way),  a very real New Orleans character who back in the early 1800’s, treated her slaves and servants with a form of sadism that would make Dr.  Mengele cringe.   I like La Bates in most roles and hope she can pull this off.

Angela Bassett is given a co-starring role as well.  She comes on board as Voodoo Queen, Marie Laveau. Apparently, Voodoo and witchcraft are like big rival union bosses in the magic underworld of New Orleans, so we can expect lots of story lines about pins stuck in dolls vs. bubbling cauldrons.

Speaking of Bassett, she has never looked better.   She’s absolutely stunning in this role.    The woman’s skin is incredible.   Still beautiful.

Gabourey  Sidibe rounds out the cast as Queenie.    Remember her from the movie, “Precious”?    She too is a witch,  and her powers involve being a human Voodoo doll.   She can shove her arm into a frying pan filled with breaded shrimp just a bubblin’ away and she wouldn’t feel a thing—but her intended victim would.   His arm would–out of the blue–turn beet red and blister up.   Next thing you know, it’s goodbye arm, hello charred cinder stick.       As for the others, Zoe kills during the act of mating.    Nan is psychic,   Madison has telekinetic powers (you know, like Carrie)  and Cordelia (Sarah Paulsen) is the school’s Headmistress.   She’s a witch too but so far, her only power seems to be having a green thumb.  She’s a bad ass gardener. We’ve yet to see her mojo. Cordelia is also the daughter of Fiona (Jessica Lange), the witch Supreme, who possesses all the powers combined, including some pretty bad ass saliva.

Queenie is a direct linear descendant of Tituba, the slave girl was the very first person in Salem to be accused of consorting with the devil.    She was arrested and jailed for her crimes, but never convicted.    After she was released from prison after squealing on several other young girls in the community who were tried and executed (read Arthur Miller’s The Crucible or watch a few episodes of “Bewitched” circa 1972…the season which they learn son Adam also has powers) everyone lost track of old Tituba.    It was never really discerned if she was actuslly practicing witch or not, but I think every time the Celtics, Red Sox and Patriots have a bad season, the answer becomes clearer.   Payback’s a bitch.

In fact, all the young sorcereses have connections to the first American witches in Salem circa the late 1600’s.   After the first few were executed, the sourcing witches remained anonymous as best they could before seeking the safety of asylum in New Orleans. Behavioral problems forced the families of these young women to end them to a very special private boarding school in New Orleans.  It’s like a Hogwartz for girls to help them use their powers wisely and to perpetuate witches and witchcraft for posterity. Seems like in being born a witch was an abortion stimulus in the world of Coven:  Season III.   Self-hating witches  wanted the buck to stop with them so they either elected not to procreate in the first place or aborted the babies before being born, named Tabitha and given the chance to turn a toy horse into Thomas Edison, thus forcing daddy Darren to convince a potential  client AND boss man, Larry Tate that their firm,  McMann and Tate had their best  advertising interests at heart and should be given the account.

Lilly Rabe’s  character, Mist Day,  will eventually join the girls at the school.   Just for bringing a pigeon back to life in the middle of some uber religious strychnine drinking service outdoors, she was  burned by her fellow church members.  Guess she did a number on herself lilly and mombecause she was popped up and surprised Zoe after she piled Mr. Piecemeal Kyle into the car  to escape the morgue.    They had to because shortly after Kyle came back to life, he and Zoe were  discovered in the morgue by an employee.  A fight ensues with grunting and screaming and bing, bang boom,  Zombie Kyle suddenly becomes a murderer facing 20 to life.

But Misty Day can  bring Khim back to life where he’s able to speak and walk and the best part of all?    If he and Zoe decide to date, sex will be a breeze because he’s already dead!!!

In other AHS Season III news, Madame Lalaurie kills a slave who happens to be a boyfriend of Marie Laveau, so with the help of a lynch mob of current and former slaves,  she drugs Lalaurie with a potion that gives her eternal life.   She’s then wrapped in chains, placed in a coffin and buried alive  on the Lalaurie estate.   She lived through wars, racism Katrina and Huey long!!!

Back to present day…

On a field trip with the young witches, Fiona (Jessica Lange)  takes them on a tour of the notoriously haunted Lalaurie House.   Nan looks down psychically under some bricks and realizes there’s a casket buried below.     Fiona, who’s obsessed with eternal life and beauty, realizes it must be Madame Lalaurie down there somewhere.    She hires some guys to exhume the coffin and when it’s opened, out plops a very alive, but very dirty Madame Lalaurie.    Fiona wants to know what her secret for eternal life is.  So she kidnaps Lalaurie, takes her back to the school and ties her up and gags her.    I’m not sure why this is important to Fiona.  In the opening sequence of episode I, you can see her in the crowd at a witch’s execution in 1692 Salem.     I’m no  Pythagoras,  but wouldn’t that make her something like…..321 years old this year????  She still looks pretty good to me.

Then there’s a scene from episode II that pits old rivals Marie Laveau and Fiona exchanging words on a battle field that that comes in the form of a black hair salon in the Ninth Ward.     Fiona goes there, perhaps seeking a process, and perhaps, seeking chance encounter with her old nemesis, Marie Laveau, who just happens to look great in cornrows AND also owns the shop.

I’m leaving out a lot and this review is rambling.  My apologies.

In closing,  I’m not in love with season III.   Not yet, anyway.    I’ll give it a few more episodes,  but it better hurry and congeal into a solid form of entertainment.    I don’t think I’m asking for much.   I’m just a viewer who likes a cohesive script.  I hate Swiss Cheese story lines, those with gaping holes that lack logic. Especially the ones that are never addressed.  In season I, we never learned why Murder House had become Murder House and why dying on property guaranteed your ghostly return.    In season II, we never knew the reason why the Nazi doctor created the zombie creatures that lived in the woods behind the asylum or the relevance of the aliens being in the story line or why they abducted hot chicks only to return them pregnant before the season ender.

Wait…that might actually be fully explainable.

This  year,  I’d like to see less of Fiona’s version of Krav Maga.   When pissed or threatened, she can body slam people by teleporting them against the wall. Not impressed. I want more intrigue.   And more magic that makes sense.    Thank God for special affects.   If we are to witness magic performed in Coven, I for one, am most grateful that  special effects have improved   since the days of flying ash trays courtesy of very visible fishing lines in the days of  “Bewitched”.

We shall see what the coming weeks will bring and I will continue to bring to you my take on the latest episodes of the newest season of American Horror Story.      But if the producers and writers really want to make me happy, insert a character like Aunt Clara from Bewitched.   You know, an older, kind hearted, but eccentric witch who’s magic has run a foul, a victim of her years.    Well kids, I wouldn’t be surprised if I get my wish.  I have a feeling that perennial AHS actress, Francis Conroy (she was milk-eyed Moira the Older maid in season I and the black winged Angel of Death in season II)  will fill that bill.     She had a brief part in the first episode when she (in a carrot orange wig wearing Dark Shadows chic) was in the scene when Zoe was taken by black-suited Albino thugs in RayBans and forced into admission at Miss Robichaux’s Academy for Exceptional Young Ladies in New Orleans,  set at a lovely, very large, all-white Greek Revival home adjacent to the tracks of the St. Charles line, who’s front gate some friends and I tee-tee’d near, one very drunken night while partying in the Garden District of New Orleans.

A streetcar named Pissoir.


American Horror Story/Asylum: Episode Nine

It was an episode that would have made Margaret Sanger cringe.

Lana is pregnant with Dr. Thredson spawn and this doesn’t sit well with our incarcerated print reporter, mainly she was raped while being held hostage then was almost killed and secondly, she a raging lesbian but the biggest reason, I would surmise,  has everything to do with the fact that  Daddy is a maniacal serial killer with a thing for female skin .

Off the bone.joan and hangers

She decides to go all Joan Crawford on her uterus, so while in the midst of a little kitchen duty, she steals a coat hanger from a uniform cleaner’s rack and goes back to her cell to take matters into her own hands.    Apparently her Briarcliff version of a back alley abortion merely ‘scrapes the surface”.   She’s still pregnant and through the satanic omniscience, Sister Mary Eunice (Devil with the Black Dress, Black Dress, Black Dress….Devil with the Black Dress On) informs us that not only is the little fetus alive and well,it’s also a boy.

We meet ‘this boy” in the beginning of the episode.   It’s present day when we get to see the hunky Dylan McDermott–in a much more likable roll than that of P-whipped Ben Harmon–and he’s sought the help of a therapist who specializes in obessive compulsive disorders.   He has recently learned is the “SON OF BLOODY FACE” and like father/like son, he loves to skin and kill women.      Her specialty is smoking cessation  and she soon realizes that she’s not at all equipped to handle a patient with all his issues.  Hell, I don’t think a SWAT team is capable of dealing with this boy’s problems.    He begs her to help him because he knows his own murderous lineage and he’ll no doubt kill again and again.

Long story short—-he kills the therapist and her secretary.

We’ve also learned, however that he has moved into his father’s old digs which included the Basement from Hell which held Lana hostage 50 years ago and these days,  holds that  young just married chick who looks like an odd melding of Selena Gomez, Mila Kunis and Tobey Maguire.  We see her strapped to a gurney, Bloody Face Jr. in full cara and he’s about to skin her.

We all realized last week that after Jude stabbed another serial murderer after he attacked her, she’d become an inmate at Briarcliff and that this bit o’news would be a high point for so many nuns who she misused and abused.    But this was only attempted murder.   Lee Emerson is still alive…just a flesh wound in the neck and he tells police that he saw Jude kill the Security Guard.

She didn”t.

Sister Satan slashed his throat outside Emerson’s cell.

H;’s convinced the Father Narcissist (the monsignor) who has grandiose dreams of papacy and world domination that he’s a new man, repentant for his murderous ways and wants to walk a path of righteousness with the Lord.   This makes the Monsignor happy to no end.  What a coup for this guy!!   To be able to change a maniac…to convert him back into a contributing member of society.    An every man—who just happens to have killed 18 people over one long Christmas weekend back in 1962.

He turns the table on the priest and attempts to drawn him in the baptismal font.   The next time we see the Monsignor, he’s been crucified–literally–strung up on the cross in Briacliff’s chapel.   The next thing we see is Moira the Milk Eye maid from last season who this go round, is the Angel of Death, approaching the priest as he asks for help.    Does he live or die?   We’ll have to wait for that answer.

And Sister Satan freed Dr. Thredson who Lana and Tate/Kit had tied up and hidden in some dark, dank storage room.    And this doesn ‘t bode well for Lana.  She told him that she was pregnant thanks to his baby batter and he begged her not to abort it or give it up for adoption.  He would hate that since he knows a thing or two about the child welfare system.    Nope,  says Lana.   The baby’s a goner (or so she thought) and so will Dr. Thredson.  She promises to return to kill him’


Not before Lana managed to get a confession out of Thredson–who he killed and why–and Tate/Kit was hiding in the wings with a huge solid state reel to reel recorder.  He got the whole thing on tape.

Anyway, she comes back to the storage room to keep her promise.  Her weapon?   The same coat hanger she thought she self aborted with.  Apparently if you bend it in half a couple of times its stable enough to stab–at least a feather pillow.

But when she enters the dark storage room, Thredson isn’t there.   His bindings are on the floor.  He’s loose!!!!!!

The scariest part of tonight’s show was watching a frightened Lana wander through the darkened halls after discovering he’d been set free.  I felt Dr. Crazy around every corner.   Lana was armed only with that coat hanger, adrenalin and a survivor’s instinct.   She doesn’t run into Thredson, but as mentioned earlier, she has an encounter with Sister Satan in the hallway and she gives us the impression that she will see to it that Lana’s baby has to be born at all costs .

In another odd plot twist, Dr. Arden actually shows Tate/Kit a little kindness and compassion.   He catches Tate/Kit hiding the recorded tape  reel of Thredson’s confession (which will exonerate Tate/Kit from the Bloody Face accusations) but there’s no punishment.  Instead, he invites Tate/Kit into his office, offers him a ciggie and pours him three fingers of a delightful 18-year-old single malt Scotch.   He tells Tate/Kit that he believes his story about the aliens because he encountered them too.   Even made a plaster cast of the ostrich like claw footprints that were left in the dust on the floor of the death chute.  If you remember, he was hauling off Grace’s body after she’d been shot by the Security Guard two episodes ago.   As he’s about to drop off the body, he hears the damnedest noise, sees a bright light and a fraction of a second later, he opens his eyes and Grace’s body is gone.

Several episodes right after the start, he removed this strange metal spider-like critter from Tate/Kit’s neck.  He’s convinced that these alien beings are studying Tate/Kit.   It seems every women he has sex with, eventually gets abducted.     Arden fee;s sure that if Tate/Kit is about to die, they’ll come for him, allowing Arden to figure out who and what they are.  So he decides to give Tate/Kit an injection with a needle that I swear was as long as a Jedi light saber.

Right in the heart.    Tate/Kit convulses; has a heart attack and clinically dies.    Arden knows he has about a four-minute window to resuscitate Tate/Kit, but just as his pulse slows to a stop, that damned bright light and noise is coming from another room, indicating the aliens are in the house.    Arden runs out of his office to investigate.  He opens a cell door to find Pepper the Pinehead attending to a very nude, very pregnant Grace huddled in the corner.    Pepper insists the baby is in a breach position and she can help.

Oh really???   The tiny noggin with boobs is in Briarcliff for drowning her sister’s children and cutting off their ears!!!!!

Episode nine is the last one for 2012.  We’ll have to wait a few weeks for episode ten.   It’ll air January second.  The previews indicate–at least the passing glance I gave them–that Jude might have an exorcism in mind for Sister Satan.     We know she goes to the forest dressed in Jude’s red lace slip,  maybe for a little sexual tryst with the Arden’s creatures????    We’ll also have to wait till then to find out if Arden missed the deadline to inject Tate/Kit with life restoring adrenaline.  We’ll have to wait to find out Grace’s story; whether Thredson finds Lana….what the deal is with Son Of Bloody Face 2012…and if the monsignor swapped spit with the Angel of Death.  If so, he’s out of the story line.

Guess his contract was up.

So, it’ll be a while before we commune again on this subject.   I hope you survive the Mayan apocalypse and if so, it’s my wish you have  a wonderful Christmas and a stellar New Year.

But in the meantime, I’ll leave you with this:    I know this series is pure  is fiction and the writers at AHS writers have always allowed room for the inane and  incomprehensible,  but I like at least a  soupçon of credibility.  Therefore,   it’s really bothering me that the inmates,  Lana and Tate/Kit specifically, manage to get out of their locked cells all the time and roam the halls completely undetected.  How does this happen?  And not only that,  how do  they get access to recording equipment and knives, phones,  and stuff to bind hostages———BUT flip-wilsonthey can’t escape the asylum?????

I only wish real life could be written with such implausible plot twists as this season of AHS.

It reminds me of this one time back in sixth grade, circa 1970,  when I got into trouble.    I don’t remember the infraction, only my mother’s reaction, which was pure rage and I was facing being grounded for three months–tantamount to juvenile house arrest.   I tried to avoid getting three months ‘in the hole’ by flippantly telling my mother the warden an excuse for my actions.  It was one of the silly platitudes of the era…that  ‘the devil made me do it”.  

Man, that was the longest six months of my life.

American Horror Story/Asylum: Episode Eight

Tonight’s offering:    Unholy Night.  American-Horror-Story-Season-2-Episode-8-Unholy-Night-2-550x366

And yes, based on what I watched for roughly 42 minutes, I’d say it was.

Loved the intro.

It’s a few days before Christmas, 1962.  A one Mr. Lee Emerson is a psychopath who kills a red kettle, bell ringing Santa Claus in front of a closed grocery store.  He takes the suit and breaks into a suburban home where  he befriends a little girl who hears a noise and comes downstairs.  She greets him and acknowledges that Santa has a massive blood stain on his chest.  He’s playing  with the electric train encircling her FABULOUS aluminum Christmas tree.   He ends up killing her mom and dead after tying them up with Christmas lights.   What happened to their daughter–the one  with the badly feigned New England accent we’ll never know.

And I had to laugh at all the double entendres he offered his victims, one he threatened to rape, both he made clear he would kill:

  • The difference between that Santa and me is that he only comes once a year
  • Come on,  there’s always at least one big ticket in Santa’s sack.

A year later, we’re invited to a  Christmas party-slash-photo op in the Common Room at Briarcliff.   Mr. Emerson is there with the other inmates and yes, he’s shackled.   Apparently, Mr. and Mrs. Suburbia and Santa Claus weren’t the only people he killed.   There were 15 murder others that night.    Sister Jude is ramrodding things and making it clear she wants Emerson in the photo–front and center–to assure residents in the area that he’s in custody.   Well apparently, ‘thems fightin’ words” to this mass murderer.  He then does his best Hannibal Lector impersonation and bites the face and neck of one of the orderlies.  For his actions, he’s sent to solitary confinement somewhere in the bowels of Briarcliff.

Speaking of bowels, Dr. Arden admits his Nazi past during an interesting session with Sister Satan.   He offers her a large pair of ruby earrings.  She goes gaga over them.  The devil loves anything red, dontcha know.  She asks where he got them;  if they’re a family heirloom.  He tells her no, they belonged to a wealthy Jewess in one of the camps who kept the jewels hidden by swallowing them over and over again…even to the point of digging through her own feces to find them….only to swallow them again  She didn’t want the Nazis to have them.      Well, she ends up dying of intestinal sepsis and internal bleeding.  Seems all those jewels wreak havoc on a human G.I. tract.  This little tidbit doesn’t bother Sister Satan in the least.

But the fact that she greedily accepts the present–in spite of its horrific past—concerns Dr. Arden.   He realizes that this isn’t the Sister Mary Eunice he once fantasized about.  No this…this thing in a nun’s outfit is evil and with his past, he ought to know.   He meets with Sister Jude who’s been banished from Briarcliff.   He realizes they need to join forces to fight Sister Satan.   And yes, both  Arden and Jude know that the devil is inhabiting the young novice’s body.  But this only proves to be a scheme to prove the ex-Nazi’s loyalty to Sister Satan and the power pact they have between them.  You know—world domination.    You can take the boy out of the Reichstag, but can you ever take the Reichstag out of the boy????

In fact, in an earlier scene, Sister Jude sneaks back in to Briarcliff and bends over Sister Satan and holds a straight razor to her neck, telling her that if she kills Mary Eunice she’ll free her soul and banish Satan back to hell.   Sister Satan says that’s crap and that all she can do is cane the devil out of Mary Eunice.   All of a sudden, the cabinet door opens and several stage hands who are off camera, throw canes at Jude’s hunched over butt.

Another funny scene takes place in the Commons Room.    Sister Satan is hosting a Christmas party for the inmates.  There’s a tree but because of Sister Jude’s hard assitude, there are no ornaments.  So Sister Satan improvises.  She cuts bows off female inmates heads–hair still attached.  She uses empty pill boxes….even one inmate’s dentures.   Festive.

Meanwhile, Lana discovers Kit is in a bed next to hers in the hospital.  She tells him that she was kidnapped by Threadson and he’s the real Bloody Face.  If you remember, she’s still recovering from a massive accident two weeks ago and of course ,he was injured battling one of Dr. Arden’s in the kitchen last week.   Remember, one of the guard’s shot Grace who jumped in the way to take a bullet for Kit who’d escaped from jail and returned to Briarcliff to rescue her.    She was recovering from an erstwhile hysterectomy at the hands…er uh…at the ‘tentacles” of  space aliens which apparently, also inhabit that bullshit barn of horrors.   All guards were given a ‘shoot on sight’ order.

As for the dead creature, all we know about him or it,  is that one of the guards is having a bout with conscious and feels the cops need to be called in.  He references one of them–dead in last week’s attack–hidden away in some room.  Dr. Arden says nah, don’t involve any outsiders.   So, now we know he’s going to die which he does–later–because Sister Satan slashes his neck and plans on blaming it on Emerson the Killer who she allowed to play Santa Claus at the part in the Common Room.  He’s sitting there, an inmate on his lap.  he propositions her.  Something about getting savage with each other and sucking something.  Sister Satan  then sigs him on Sister Jude who came back to Briarcliff as a ruse to kill Sister Satan.

As for that part of the story, just as Emerson is about to rape Jude (he’s already beaten the crap out of her) she finds a letter opener on the desk and jabs him in the neck.   He bleeds out and keels over.  But does he die?    Not sure but I do know this much:    irony of ironies, what Jude did will all but ensure that she ends up an inmate in her own asylum.   Revenge is a bitch.

Lana sneaks into an office and finds a phone to call the authorities and in the process, is found by Dr. Threadson who learned of Lana’s post accident whereabouts in a news story.  He’s about to strangle her when Kit suddenly bursts through the door and bops him on the head.  Lana insists  she needs to kill him but Kit says no, he needs Threadson alive because he’s the only who can prove he didn’t kill his wife or anyone else.  They tie him up. As the scene ends, Lana says one day, “I’ll bury you”,.


Lastly, Threadson is seen escorting Grace’s body (that child has been on ice for a week!!) down the Death Chute when suddenly, he hears an ear-piercing noise and bright lights.   He passes out for a flash and VOILA!!!   Grace’s body is gone.   They aliens already have her uterus.  They came back for the rest of her.

A couple of things to note:   Lana is seen earlier heaving up her lunch in a bed pan…only thing is, she tells the nun/nurse she hasn’t eaten.   I’ll ask the obvious question here.  The one we all have:  could she be pregnant??


And could Dylan McDermott (who thanks to a preview of next week’s AHS, we learn will make an appearance), be Bloody Face, Version 2.5???     A few episodes back, the opening scene included several murder victims all strung up in the rafters of the current dilapidated Briarcliff.   It included a phone call made to the cops.  Someone saying that he’d been a ‘bad boy” and that imposters are dead at the old asylum.  The voice sounded like Mr. Mac and if that’s the case, that would sure answer that timeline question we’ve all asked about Bloody Face then and Bloody Face now.

With Dylan McDermott as  The Son Of Bloody Face, that would explain how the maniacal acts are still being perpetrated more than 50 years later.

We shall she, kiddies.   We shall see.

American Horror Story/Asylum: Episode Seven

Hosting eleven for Thanksgiving dinner  last week precluded  me from commenting about episode six though God knows there was a lot to discuss.   All I can say is “Baby needs colostrum” now joins “show me your mossy banks” in the pantheon of exceedingly strange AHS phrases that have peppered the dialog this season.   I have no doubt there will be more to come.

Tonight’s episode, “Dark Cousin”, focused on that age-old literary struggle, good versus evil.

A new character named Miles is fighting schizophrenic voices as he helps prepare sandwiches in the Briarcliff.   A nun is using a meat slicer to hack off some bologna when one of the voices tells Miles to grab it by the wrists.   The next scene, he’s on a stretcher,  there’s blood everywhere and on the wall, scribed in the crimson stuff is a word.  It looks like it’s spelling out “one” in funky lettering but when Sister Satan enters the room, she informs us that its ancient Aramaic.  She then she asks our Bleeding Buddy on the gurney if he summoned “her’.

‘What? Huh??”, inquires the dazed self-induced hemophiliac.

He’s wheeled away and placed in a room as a panicked Sister Satan runs amuck, obviously bothered by the fact that  “one” is now at Briarcliff.

The next scene we find a restrained Miles telling the guard he doesn’t want to be at Briarcliff any longer.  In fact, he no longer wants to be in this world any longer.  When the guard leaves, a woman in black  appears at the foot of his bed.   At first, I thought it was actress May Steenburgen  She looked familiar.  It was Frances Conroy, who played  Moira the maid last season.   The older milk eyed version.

She reminds Miles that he in fact, summoned her and then asks if she can basically kiss him and make it all better.    She puckers up and when she does, she sprouts black wings that while large in terms of span, look awfully paltry feather-wise.    They were sparse;  like something you’d find in a discount costume shop.   She obviously has killer kisses.   Miles dies.  Just then, she realizes that someone is at the cell door.

It’s Sister Satan.

She walks in; they recognize each other.  Black Angel Cheap Wings calls her “Cousin” and soon realizes that as angels go, she’s the fallen one.


And she knows that he/she is inhabiting the young nuns body.   For a second, Sister Mary Eunice comes screaming through possessor.    Sister Satan  reclaims her host, and sends Black Angel Cheap Wings away saying she’s already done what she came to Briarcliff to do.

I’m assuming this is the Angel of Death, sans the large scythe and cloak and hood.

She also pays a visit to Lana after Threadson rapes her.  Incest on top of serial murder???????  What a cad!!    But Lana tells her ‘no’.

A little back story;  we learned last week that he felt Lana was his ideal mother figure.    But it seems that even homicidal maniacs have a conscious and a disdain for their own Oedipal issues.   He decides his indiscretion was reason enough to waste Lana, but a struggle ensues, she bops Threadson over the head with the photo of Wendy, her lover and manages to break free.  She runs out of Threadson murderous pied à terre and on to the highway where wouldn’t you know, she flags down one a driver, which happens to be one of THEE angriest misogynist on the planet.

He hates women; holds them responsible for every pain and misery he has and pulls out of gun and shoots himself as his ’61 Plymouth goes out of control and careens into a tree.   Black Angel Cheap Wings makes an appearance in the backseat and once again offers Lana a homecoming, but declines once again.  The next thing we know, Lana is back in Briarcliff and under Sister Satan’s care.

She tells the horned one that Threadson is Bloody Face and that his tastefully decorated home has a basement of horrors.  Sister Satan remembers conveying this while possessing the body of the Farm Boy ( yet another serial masterbater that we met in Episode Two).  He told Threadson who was in attendance that he appreciated his handiwork.

Sister Satan believes Lana, then sedates her, assuring her that she’s safe.  No one knows she’s at Briarcliff.

We also learn that Kit/Tate escaped from prison.  He’s on his way back to Briarcliff to get Grace who was abducted by aliens and Kit’s wife a few weeks ago.  Remember?   The performed an ersatz hysterectomy on her.

Sister Satan tells Dr. Arden that he  botched the sterilization that Sister Jude ordered after she caught Grace and Kit screwing around.   Arden denies it all and resents the way Sister Satan is addressing him.   He’s about to hit her and she goes all Reagan McNeal on her and like a scene out of the The Exorcist, telekinetically bitch slaps him and like Fathers Merrin and Karras from the movie, flings him half way across the room.

A classic coup’d tat deftly handled.  And Arden knows all too well there’s been a transfer of power.

The story line with Sister Jude is getting interesting.   She’s been reassigned and his leaving Briarcliff, but has to handle a few things first.  Like getting the Nazi Hunter she enlisted a few episodes ago to properly deal with Arden, who we all know was a doctor within the Third Reich.   But Sister Satan killed him with a piece of mirror.   A large shard right to the jugular!

Jude finds him in a bloody mess in his bathroom.    She calls an ambulance but stops short when she senses he had died.   And he does.   Black Angel Cheap Wings appears out of nowhere kisses him (this has got to be the proverbial kiss of death).   Last week, he lived long enough to tell Jude that one of her nun’s was the perp.

Jude looks up and taped on the TV screen is a news article from 1949…a story about the little girl she hit while on a drunken bender.   There’s a few flashbacks and we see Jude in her civies sitting in the sadly appointed living room of a typical New England couple.   They are Missy’s parents, we soon learn.  Missy is/was the little girl in the blue coat that was out playing in the road late one night; the hit and run that changed everything.

Well,  in walks an adult Missy in a nurse’s uniform.

She survived????

Huh??   How did Sister Satan not know this???    Maybe because Old Scratch can only get in our heads and root around to get at our biggest fears and guilt trips.    Therefore, if Jude thought Missy Blue Coat Front Bumper Fodder was in fact dead, so would Sister Satan.  She’d play off that.

Earlier, Jude imagined slitting her wrists in the Tastee Freeze bathroom.   She walked out and encountered Black Angel Cheap Wings who she recognized.  Seems Jude has threatened to take her own life many times before.  The two are old pals.   She tries to talk Jude into finally letting go; seek the peace only Black Angel can offer.

“Let’s French!!!!”, she all but suggests.

No, insists Jude.   There’s at least one more thing to take care of before that ultimate swappage of spit.  And that was to confess to Missy’s grieving parents which ultimately, created one helluva monastic tap dance in the living room of Missy’s parents.   Jude was dumbfounded when Missy and her cat eye glasses walked into the room.  She’d spent 13 years thinking she killed Missy.    But was injured and there’s still the matter of the hit and run; the failure to stop to render aid.

Lastly, Kit/Tate makes his way back to Briarcliff and darts in and out of the tunnels in an effort to find Grace and run away with her.  He bursts through the kitchen door.  She’s eating  a snack with a nun.   Yes, she’s better now—up and walking around thanks to the miracle of sulfa drugs and Bactine administered by Dr. Arden, earlier in the show.   But the guards know he’s an escapee and have been ordered to shoot him on sight.    one was nearby and heard the nun scream.  He goes into the kitchen; sees Kit and shoots, but Grace ends up taking the bullet for him.  Shot in the gut.    Then one of Arden’s forest dwelling human eating creatures with the single quail plume-like dreadlock thing hanging from his head attacks the guards, then Kit, but Kit gets in one good lick and stabs him in the stomach and his entrails or something, falls all over the kitchen floor.

As Grace lies there, Black Angel Cheap Wings appears above her and yes, they kiss and yes, Grace dies.

She is free, she whispers.

Then we’re treated to next week’s previews.   It’s the Christmas edition of this season of  AHS.  Nothing says Yuletide quite like a crazed inmate in a Santa suit.  Can’t wait.

As I mentioned in the beginning, good and evil are the focus here.  It just so happens to these two things converge at an asylum.   One thing is becoming apparent—from Arden’s Nazi past, to Grace’s murder of her family and of course, Sister Jude’s crazy ass life, evil is a part of  man’s existence on this Big Blue Marble.   We have to deal with it.   Try as we might, we can’t erase that which we’ve experienced, nor can we turn a blind eye to it.   All the characters this season hammer the point home that the evil and good are real;  they exist independently, but they can’t co-exist, not without consequences.

That said, I’m beginning to think that the asylum is like some form of Purgatory.  For those not raised under the tent of Catholic dogma, Purgatory is the condition of purification or temporary punishment before entrance to the Pearly Gates.   Here’s the ecclesiastical 4-1-1, kids.

According to the Church and Wikipedia,  immediately after death, a person undergoes  judgment in which the soul’s eternal destiny is specified. Some are  united with God;  others reach a state known as Hell, the  eternal separation from God often envisioned as a fiery, sulfur smelling place of punishment, misery and Lawrence Welk  records.   Apparently, it’s by one’s own free will that a person enters into the state of hell.  It’s willful entry.

Conversely, one could argue that would apply to the opposite destination.  Those who die in a state of grace are believed to be prepped and readied to  move on up–to the Eastside.  To that dee-lux apartment in the sky….eye….eye.

You know, Heaven.

I know that’s thought process, especially when applied to this show, is as insane as one of Briarcliff’s inmate.   I tried to approach last season from a psycho/social mindset and I couldn’t have been more wrong.    There was no Miltonian metaphor.  No deep seeded Faustian explanation.  The house was merely haunted.   With ghosts.   Phantams.  Spectors…Ronnie AND Phil.

But all I know regarding this season so far is simple: if there IS a purgatory, a place for those who lived the worst life  to be  given the choice of redemption and head north….↑ (towards the sound of harps)

or south↓ (where da brimstone at!!!)

Briarcliff would be it.