American Horror Story: Season Finale Synopsis & Review

“Afterbirth”

It took 12 episodes,  one home invasion, two rapes (Viv’s and the dentist who ‘drilled’ the Black Dahlia while sedated…or rather, while dead), one kidnapping and dismemberment, one overdose, a crazy and manipulative neighbor, a shape shifting maid, the magic of the word “Croatoan”,  one milk eye, a gay couple with the pithiest comebacks,  a request for a grand to cover head shots,  Hume Cronyn’s basement dwelling Doppelganger,  24 ghosts and me running to the computer to look up the spelling of  “heteropaternal superfecundation” to get here, but we got here. 

It’s over….done….kaput.   

American Horror Story’s first season ended way too open-ended.  Ben joins his family in eternal bliss courtesy of the ghosts of the home invaders.   Death has united The Family Harmon in ways they never could have achieved in life.      He’s hung from chandelier….and very early on, too.

And when a  mirror image family (the Ramos’) moves into the House months after that whole birth death incident,   Ben and Viv persuade the Mrs. and Mrs. to leave.   You see, they’re  contemplating having a baby because their angry, angst ridden son Gabe (whose Violet with a penis)  is about to go to college and they want to avoid empty nest syndrome,.  They do this courtesy of a little performance art in the evil basement.    Ben is in the Rubber Suit and has attacked the hot, but zoftig reddish- haired Latina in the master bedroom .  His goal is to scare her.   Well, he does and she runs out of the bedroom screaming and at every turn, runs into this ghostly tour de force (including the exterminator).  All the “good /innocent” ghosts band together to scare the crap out of the Ramos’ .   Meanwhile Miguel, has already started sleepwalking and ends up in the kitchen, feeling up all six gas burners…lit and on high.     He snaps to.–he wakes up just in time to see The Black Dahlia’s corpse severed in half (guess she’s one of the good ghosts..defined by how you died.   if you were a victim…murdered by some A-hole, you were good.   Although that principal can’t apply across the board for whatever reason.  Larry killed Hayden, but she’s still an asshole-even in death.). 

Anyway, Miguel  hears his teddy clad wife scream down in that damn basement.  He runs to her aid.  They’re scared but there’s room to intensify the fear factor.  The ultimate  convincer?  Viv stabs Ben still wearing the rubber gimp ensemble.    Viv literally guts him and says, she’s been wanting to do that for so long.   Then Ben pulls out a gun and shoots her in the head and says the same thing.   They fall on the floor dead for a second or two, then resurrect by telling the Ramon’s this is what will happen to you.  NOW GO!!!

And they do which means Marcie the Racist Realtor has to sell the House at a further reduced cost.    Her commission must be in cents at this point.

In the finale there are flashbacks and flash forwards.  Constance is able to take the baby from a very possessive Hayden when Travis sneaks up from behind and slits her throat.   That only incapacitates the dead for a second or two, but  long enough for her to do a baby grab and once he’s out of the House, he’s safe.  None of the evil ghosts who want him can leave the House to come get him. 

Also in the finale, Tate comes to term with his misdeeds.  While he doesn’t seem overtly sorry for murdering as many people as the Khmer Rouge; he does acknowledge that he has,  which I guess in Ghostdom, can be considered progress.

FLASH FORWARD THREE YEARS

It becomes obvious that Constance got the bad baby;  the bad seed—Tate’s taintedness,if you will,  but I think that’s the one she wanted.  

She’s gone to ”the beauty parlor’ and in an award-winning performance she stares into the  mirror and confesses her youthful wishes to be a star and of her dreams which were turned to nightmares by tragedy after tragedy.    Her hair dresser clings to her every word and practically extend a lit Bic lighter n the air to extend her fanatic appreciation.   Constance just smiles and says she believes that every loss,  every tragedy was meant to prepare her role  as  mother/protector/guidance counselor/ clean up woman to this ‘remarkable” baby boy who’s destined for greatness.

Wonder if Michael’s middle name is “Adolph”?

Constance returns home from the salon and enters the house having a one-sided conversation with her nanny.      The trail of blood leading to young Michael’s bedroom (that’s his name) explains why there”s no respinse.   When she enters the bedroom she sees the crumpled corpse of the nanny, throat slit ..blood pooling underneath her and Little Michael sitting in a rocking chair…bloodied  hands….blood all over his face…bloody prints all over the chair and he’s smiling fiendishly.   Constance bends down and with a look of contained pride, cups his little  bloody mug in her hand and says with a smile, “What am I going to do with you?”

And that’s it.     The lump sum of 12 episodes.

What a rip off.   And a rip off on many, many levels.    This is like being excited about finally taking that vacation you’ve been anticipating for months.   You finally get to head to the airpor, but trip is already plagued with problems before you’e even backed out of the driveway.

The show didn’t last 90-minutes as touted and it certainly wasn’t gory or scary.   And what questions did it answer???   For me,  not a one.   The Harmon’s will haunt the House along with the bevy of ghouls and engage in a civil war between good and evil that’ll continue for perpetuity.  Which most assuredly means a new family in Season Two, but of all the characters on this show,  I would imagine Constance will return next season with Young Michael even more sinister.  His murderous DNA more finely honed.  But I would think the storyline would demand that Constance would take Damian Jr. and move to another locale.   I mean, she’d have to.   She’s surrounded by so many gruesome deaths.   Cops are already suspicious and now she’s raising little Chucky Manson on her own, she’ll need to around new people.  God knows there are people all over the country primed for a good killing.   She’s got to give Baby Michael what he wants.   You can’t kill ghosts and besides, the House is tried.  It’s been done to death. 

I’m also disappointed that Thaddeus didn’t rear his ugly 90-year-old head in this episode.   The creators said he would be featured prominently.   LIARS!!!!    And we never met Constance’s fourth child. 

I feel dry-jacked.

I really would have preferred an ending that was more strange and even more implausible.   This one ended to happy; too neat and way too tidy.   I wanted revelations;  gasp inducing shockerss such as learning  Constance was actually  Ben’s long-lost mother.  Or Tate would show his true colors adn pull a Pazuzu, the demon from “The Exorcist” and present himself as such.    I would like the whole family to have died while driving cross-country is some horrible wreck on Route 66 and their life in the House was a metapor for how they must adapt to their deathly situations.  reconciliation can only happen by saying goodbye to people and things they once knew and loved in their lives.     Death by viture of no brain or heart function is really, just part of the process.

 That said, the  creators could have done a helluva lot more and made the finale far more compelling and suspenseful with tons of those incredible “Damn!!!!” moments, but they didn’t.    

And when Constance was earning an Emmy nomination with that soliloquy of hers in that salon chair, I fully expected her to tell that captivated comb jockey that  as a young actress hopeful, she’d sold her soul to the devil…or at the very least, dated him.

Or an agent…

And that would  have explained everything and left me feeling somewhat satisfied.  Well, that and if  the following questions been answered:  what’s with the House?  I mean let’s get specific.  What’s the genus behind its power?   When did it begin and why?   What’s the obsession with babies and why is it that  ghosts never mess with Constance????

None of these questions were answered.   All we learned is that the Harmon’s can decorate a pretty Christmas tree and there are  make up and stylists, along with many wardrobe changes in death.

This was a lame…lame..lame ending and it started going downhill the minute the Ramos’  hopped in their 4×4 and drove off into the night,  in their best “The Amityville Horror” escape impersonation.   

Three words  can sum it up:  hokey…bland…and anti-climatic, especially when  compared to most of the previous 11 episodes.  If I were in a theater I’d demand my money back. 

I think Brad and Ryan screwed the pooch with this one, Kids.    I think mistakes were made.   This should have/could have been so much better; so much more intriguing.   They ended it with schmaltz.  No fires…no explosions…not even in great lines that helped give this show is comedic edginess.

But despite my feelings of deflation, I’ll watch Season 2,  but if truth in advertising has to apply, then this finale, should have been  “American Error Story”. 

American Horror Story: It’s Almost Over

We’re hours away from the nifty little  early Christmas present that  AHS creators, Ryan Muprhy and Brad Falchuk will give us:  the season finale.

Yay.

I won’t say tonight’s 12th and final episode this season will  be a definitive end to the madness that’s invaded my soul every Wednesday night since early October, but I do think what will be revealed tonight will offer at least, some temporary reprieve.  

Only until Season 2 begins, which I can’t seem to find anywhere on this Al Gore conceived contraption we call the Internet. 

But I think when the smoke is cleared ( and I have a feeling smoke will be generated from some fire somewhere within the 90-minute spectacle), we’ll have a better understanding of Ben and his true relationship to Tate and the House….and to Constance for that matter.  I’m not yet sure what this connection is.

But I do know one thing:  I know that I know nothing, but I’ve given this series a lot of thought because yes, I am—that’s because I’m damned close to being full blown obsessed over this show, which is completely uncharacteristic of me.    But I’mwilling to express some things that have been surging through  my late 70′s/early 80′s drug addled gray matter.

Okay here goes:   I’ve wondered if Constance is Ben’s real mother and neither are aware of this.  Perhaps Ben is that  fourth child she often refers to that was ‘taken by other means”.   Perhaps she was deemed an unfit mother and lost a child to the courts.   He was taken away and raised by someone more “fit”, which could also be the reason why she  would rather have seen  her miscreant son, Beau dead rather than forcibly removed from her care….if you can call chained to an attic floor, being cared for.

I’ve wondered if Ben is really the AntiChrist and Tate does his bidding in that lovely five bedroom three bath Gothic House of Hell.

I’ve wondered if this whole season has been about Saturn, the child sacrifice lovin’ Roman God. 

I’ve wondered if Ben is actually dead and the move to LA and the House and all the loss that surrounded him since his move, was just metaphor for the sojourn he must take;  the process of dying.    His way of dealing with life (the babies) and death in the literal sense.  What if Viv actually killed him when she found him in bed with Hayden?   What if the whole family was killed in a traffic accident on their drive west?

I’ve wondered if Ryan and Brad would dare to insult us by making this the past 11 episodes some lame ass Bobby Ewing/Dallas dream sequence.

Whatever the possibility, the reality is that Ben is the sole soul left living in that House. 

And furthermore, Addie called it.  During the premier episode, she sneaked into the House and surprised Viv as she was putzing with wall paper or that vile wall mural and told her in no uncertain terms, “You’re gonna die in here.”    And damned if she didn’t…in that exact living room turned emergency  delivery room last week.

She called it correctly with the red-headed bat wielding twins, too.

If we’re lucky enough to have weekly reruns of AHS offered on F/X until the start of the new season, I’ll watch each episode again with a much more attentive eye because I think there have been clues strewn throughout the season.

I can remember during one of Ben’s mysterious trance/sleep walking episodes (which he stopped having), he was standing before the stove, staring at the gas fueled flame on one of the burners.  Constance appeared out of nowhere and snapped him out of it by saying, “It’s not your time”.    Not his time to….what?   Kill?   Maim?    Burn the House down and liberate all the ghosts by fire?   

And let’s take another look at the ten clues that were released via video on YouTube prior to the start of the show:  

  1. Cello
  2. Baby
  3. Couples
  4. Coffin
  5. Lying Down
  6. Fire
  7. Stairs
  8. Melt
  9. Red Cello
  10. Rubber Bump

Okay, let’s take a look at these, shall we?   The cello played morosely while Vivien gave birth and then died.    Don’t know much about a red cello, but Chad and Patrick prepared a red baby bed for one of the twins in the nursery.   Rather an odd color choice for a new-born but the perfect color if said child is Satan’s spawn!!!!

Babies–that’s a no brainer.  Babies have been the focus in just about every episode of this series.   Viv miscarried her baby in the premier.   Hayden turned up pregnant.  Constance spoke of her love of babies that er tainted womb (Tate wrote that word on the wall in Violet’s bedroom, remember???) seemed to deprive her of.    Patrick and Chad wanted to adopt a baby.   Dr. Montgomery supported his ether habit by aborting them.  His wife, Nora lost her child to a crazed kidnapper and now seeks another one…one that craves mother’s milk;  not mother’s blood and therefore, won’t bite off her boobs  when suckling.     The only thing we have to figure out is why.  Why are babies so important to this House?

Couples?   Despite what Act Up might want to believe it takes a couple…a couple of breeders to conceive a child.   Or could couples in the case of AHS refer to twins????  The red-headed juvenile delinquents.   Viv’s two-fer pregnancy.      

Lying down…more often than not, that’s how couples conceive, but it could mean any number of things.  

Fire.   In the beginning, Ben seemed fascinated by it.  Fire killed Larry’s his wife and two daughters in a murder/suicide in one of the upstairs bedrooms.   Satan feels comfy in it.     

Stairs.     The house has one grand staircase and one smaller one leading down to that damned basement.   In the preview of the finale, it looks like someone gets thrown down a flight…or perhaps he or she trips over a skateboard on the floor or  maybe one of Tate’s old Tonka trucks.   In another scene, a transparent looking Ben descends the stairs at one point.   I swear I could see through his legs.

Melt?  Well, there was Larry’s face…….

And finally, Rubber Bump.   Viv’s baby bump was the product of  rape by someone wearing the rubber suit…hence the baby bump.  I say “someone” because I’m not convinced that Tate is always the one wearing it.   I think the suit for whatever reason, empowers who ever (or whatever wears it).  Maybe it’s the embodiment of evil. 

I guess we’ll find out soon enough. 

We’re just five hours away as I type these final sentences.   I’ll be back here after tonight’s show, giving my final review and synopsis for the season.  I’d saddened by this in a way.  I so looked forward  to my Wednesday nights.  They were special…they brought us together.  My reviews of AHS brought so many new readers to my blog and each week, you allowed me to force feed you my whacky concepts.    Thank you for that.   I hope you’ll still come back around.  I am more than just an AHS reviewer.  And yes,  I fully intend to obssess over another  show until this one returns next season  which I feel sure we’ll be with a new family enduring another American Horror Story of their own.  Horror is relative.   Ghosts are too.   Demons in the form of drugs, other vices and weaknesses  of the flesh plague us more than Old Scratch,  though those things might be his handiwork.      

All I know is this:  if next season is as remotely compelling and titillating as the first one was, then rattle those chains scary carton of smokes, wail on you  evil bottles of Scotch and Gin.. moan with the malevelance of regret,  cry from the  sinful self-mutilation and self loathing and of course, there’s always that baneful jealousy. 

And infidelity, which can envelope one’s life with such treachery.   All of these things create  a murderous pain that haunts the soul and can be..I assure you… just as scary as any old ghost.    

See ya in a few.